Prairie Classic by Grey Gallinger

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Like all Canadians I've spent hours passively watching curling on chilly winter afternoons. This past weekend was my first time shooting curling. I was in Portage la Prairie on assignment with the Winnipeg Free Press to cover the Prairie Classic. I got to watch and photograph some of the world's best curlers, including teams from Russia, Sweden, and China.

Unlike other sports that I've had the opportunity to shoot, curling tournaments kind of chaotic. There are several games going on at one time, and in my case I was having to pay attention to multiple teams. Luckily curling is repetitive and games are drawn out over several hours.

You can see a slideshow of my curling photos on the Winnipeg Free Press website.

What's in my bag by Grey Gallinger

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Yes, I know this is totally cliché, but I always get a kick out of seeing how much crap photographers lug around. Here's what I'm usually carrying when I'm out taking photos (don't mug me please).

Left to right, top to bottom:

  • blower
  • Vivitar v3800N with 50mm f/1.7
  • Canon 200mm f/2.8
  • Canon 24 - 105mm f/4
  • Canon 5D Mark II with Sigma 35mm f/1.4 & handmade Couch camera strap
  • 35mm film (includes Lomography Lady Grey 400 ISO, Ilford Delta 400, and Fuji Velvia 100)
  • iPhone 4S (Running iOS 7, with Afterlight, Photoshop Touch Express, Camera+, & Instagram)
  • Filzer bike ratchet set
  • Canon 430EXII speedlight
  • Pocket Wizard Plus X
  • Canon 40mm f/2.8 with circular polarizer
  • Gorrilapod with hotshoe mount & Pocket Wizard Plus X attached
  • Keychain with keys and multitool
  • Ray-Ban New Wayfarer
  • Bic lighter
  • Sandisk 16 GB CF card
  • Sandisk 8 GB CF card
  • Lanyard (for press passes or keys)
  • Card reader
  • Water resistant camera cover
  • Lens cleaning tissues
  • Incase MacBook Pro backpack
  • Flask
  • Field Notes memo book & Bic click pen
  • EarPods
  • GoPro Hero 3
  • Keep Cup

I don't use a proper camera bag unless I'm shooting sports and am able to leave it in the press box. I find it easier to just toss everything in a backpack and go.

I hardly ever use the GoPro, but I should start.

When I don't want to carry all this I just take the Vivtar or the 5D with the Sigma 35mm.

Ghosts of Albert Street by Grey Gallinger

I took the above photo from the fire escape on the 3rd floor of the St. Charles Hotel on Albert Street.

I had to hoist myself up on a broken cinderblock wall, step over all the empty whiskey bottles and beer cans, tiptoe up the rickety metal stairs, and worry about whether they'd give out and send me falling to the ground below. The windows are filthy, covered in decades of dust and bird shit. It was glaringly bright out, but if I stood as close as I could to the window in my own shadow I could just sort of see into the abandoned hotel.

I felt a strange uneasiness, a spooky, haunting feeling while looking through the eyepiece of my camera and catching the "Royal Albert Hotel" signage in at edge of the frame. These two remnants of Winnipeg's history stand across from each other, between them the burned down and buried remnants of the Albert Street Business Block.

I'm told the majority of War on Music's old inventory is melted into the ground and paved over. Sitting beneath the surface, like a time capsule waiting to be discovered. What is essentially a parking lot is also a future archeological dig site. There's a whole history of punk rock, metal, and hardcore music buried between Cumberland and McDermot Avenue.

I hope that someday a society smarter and more sustainable than ourselves will dig up those melted records and cassette tapes. They could listen to Nuclear Assault and Sacrifice, and learn everything about our downfall, and could rock the fuck out.

Aug/Sept 2013 issue of Stylus Magazine by Grey Gallinger

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The latest issue of Stylus Magazine is out on newsstands and it's sporting some cover art by yours truly.

I was tasked with shooting something "abstract" preferably in colour. I wasn't really sure what I was going to do. I had a been shooting a lot of black & white and live music when I was asked to do the cover, breaking from that mindset was necessary.

The next day I got a call from Luke, a friend and fellow photographer. He asked if I wanted to go out shooting with him. He had some film loaded up and an idea he was eager to execute. I agreed knowing that it would be a good opportunity to brainstorm. My hope was that the walk would help clear my mind and give me and idea for the cover art.

About midway through our excursion we ended up around Higgins and Disraeli. We ventured down every back alley and side street gazing around for scenes of interested. I became totally enamoured with the train cars covered in graffiti; the overgrown prairie grass that had broken through the cracks in the pavement; the birds that were flying in formation overhead, swooping between the buildings and under Disraeli bridge; and all the junk that had been discarded behind the old warehouses. That's when we stumbled upon the forty five gallon drums seen in the above photo. Luckily I had a small speedlight, so I was able to capture the shot as seen here, otherwise it would have been a silhouette.

I have since learned these forty five gallon drums are used by the beekeeping industry. They are used to store honey until the internal lining or exterior is damaged and then sold off to scrappers. Somehow these drums ended up on a loading dock behind Graffiti Gallery with an assortment of other refuse.

When I got home that evening I had a stronger idea about what I wanted to do for the cover. I processed a few of the photos and sent them off to Stylus to see if we were on the same wavelength. Thankfully Sheldon Birnie (editor) and Andrew Mazurak (art director) both loved what I had sent them. I'm also quite happy with the results.

Here's full uncropped photo below.

Breanna Mulhall - Omand's Creek Train Bridge by Grey Gallinger

I was recentry hired to take some environmental portraits of Breanna Mulhall for the Winnipeg Free Press. Breanna wrote about the train bridge over Omand's Creek for the Our Winnipeg section of the Sunday Extra and the Free Press needed a photo to go along with the article.

I met Breanna at Omand's Creek, we walked around and down under the bridge while I asked her about her interest in the location. I hadn't read her article and new little about why I was to shoot that particular location. As we descended into the ravine towards the creek we were greeted by a group of men drinking tall cans under the bridge. They seemed hospitable enough, only bothering us to ask the time and if I was there to take their photos. I had to frame them out of some shots and had to keep an eye on my gear bag that I had tossed on the ground while I was shooting, but they weren't a nuisance. If anything we were the interlopers in this particular sitnation.

As far as the photography goes I couldn't be happier. We were shooting by 5:30, right as the Sun was peaking out behind the afternoon clouds at exactly the right angle to hit the west side of the bridge. We were scheduled for an hour of shooting and took only 15 minutes to get the shots I needed.

The photo below is the one that the Free Press ended up using. I was originally published in the Winnipeg Free Press print edition July 28, 2013 A1 and can be seen online.